Browse links
US residents can opt out of "sales" of personal data.
Alyssa Milano didn't even know that Ariel from The Little Mermaid was modeled after her until a year after the movie was released.
In an interview, Milano revealed that she didn't even know Disney modeled Ariel after her until they asked her to be part of a behind-the-scenes special for The Little Mermaid after the movie was already out of theaters.
She went into detail about how cool (and sort of weird) the experience was, saying, "Apparently Disney drew Ariel's face from pictures of me. Um, yes. That's really cool and lovely. Uh, this is something that I didn't know while it was going on, and then I would say about a year after the film came out, they asked me to do sort of a making-of, behind-the-scenes special on it, and they told me then, which I thought was really cool."
According to Mark Henn, one of Disney's supervising animators, some of Tiana's looks were based on Jaimie Milner, an intern in the post production department (they even took pictures of her to help get the hair just right, for reference). But when it came time to actually develop more prominent features and the likeness of the character, the animators looked directly at Anika Noni Rose. For example, they gave Tiana dimples and even made her left-handed because Rose has dimples and is left-handed.
The Beatles were originally set to voice the characters of the vultures and to sing a song in The Jungle Book (1967), but rumor has it that John Lennon vetoed the offer, saying Disney would be better off hiring Elvis Presley instead.
Director Jon Favreau tried to make this finally happen with his live-action remake in 2016, but it just didn't work out, saying, "I did talk about trying to get Paul [McCartney] and Ringo [Starr] into the film, because they wanted the Beatles for the original, but I couldn’t get them. We came to the idea too late. Maybe if there’s a sequel…”
Richard Williams, the animation director on Who Framed Roger Rabbit, revealed that they were tasked with creating "the ultimate male fantasy" in Jessica Rabbit. As a result, he took inspiration from some iconic leading ladies of Old Hollywood, saying, ''I tried to make her like Rita Hayworth," whom the press referred to as "The Love Goddess" in the 1940s.
Williams also revealed that they "took [Jessica Rabbit's] hair from Veronica Lake, and [Robert] Zemeckis (the film's director) kept saying, 'What about the look Lauren Bacall had?'" They basically grabbed inspiration from several Old Hollywood actors.
There were a few different iterations of Ursula when the Disney animators got started on the character, and "one was a manta ray that was inspired by Joan Collins." According to director John Musker, nothing seemed to work until Rob Minkoff, one of the film's animators, drew "a vampy, overweight matron who everyone agreed looked a lot like Divine."
Divine, aka Harris Glenn Milstead, died in 1988 of an enlarged heart, but those who knew him best said “he would have wanted to play the part [of Ursula] himself." One of his close friends, John Waters, agreed, saying, "What filthy anti-hero wouldn’t relish such a plum role?" Pat Carroll ultimately provided the speaking voice for Ursula.
In a 1989 TV special for The Little Mermaid, Zielinski went into detail about her process for animating Ursula, saying, "I studied the way she would move and the way she would react to William Holden. That really helped out a lot. It would inspire me when I tried to put some life into that character."
Hedy Lamarr was an incredibly famous actor in the Old Hollywood days, and her looks actually inspired two iconic characters in pop culture history: Snow White and Catwoman. Lamarr was also a brilliant inventor who helped develop a radio guidance system for Allied torpedoes in the beginning of World War II. That technology basically led to the inventions of Bluetooth, GPS, and Wi-Fi (if you want to learn more about her, I definitely suggest watching Bombshell: The Hedy Lamarr Story).
Lamarr also served as some of the inspiration for Catwoman, according to co-creator Bob Kane. This sort of came full circle because Anne Hathaway revealed that in the 2012 film The Dark Knight Rises, she also drew inspiration from Lamarr to portray Selina Kyle/Catwoman: "I know this sounds odd, but [Lamarr's] breathing is extraordinary. She takes these long, deep, languid breaths and exhales slowly. There’s a shot of her in Ecstasy exhaling a cigarette, and I took probably five breaths during her one exhale. So I started working on my breathing a lot."
In a panel, animator Bruce W. Smith revealed that he took elements from his favorite actors to create Dr. Facilier, saying, "I like the elasticity of Jim Carrey. I love the great acting of Jack Lemmon. I tried to bounce a lot of what they brought to the screen to this character."
But when it came to actually animating the character, Smith was mostly inspired by Michael Jackson and Usher: "As I began drawing him out, I realized he had to be very thin, and I had to be able to move him across the screen. I thought about guys like Michael Jackson and Usher and the types of moves they'd have as they would sort of scurry across the screen."
Smith thought about some of his favorite Disney villains to help create Dr. Facilier: "In the catalog of Disney characters, one of my favorite characters is Captain Hook. Captain Hook is very funny while he's being scary, which I thought was important for this character. He has to be very funny."
But Smith also wanted there to be some sort of elegance in Dr. Facilier. That's when he came up with the idea to also grab inspiration from Cruella de Vil: "She has this sort of great — she's tall, she's lean, she's evil. And I just thought, okay, what if I just sort of mix the two? Putting those two characters together I thought would be a great place to start for creating Dr. Facilier."
Directors Ron Clements and John Musker wanted so badly for Robin Williams to play the Genie that they literally wrote the role with him in mind. They even animated lines from one of his old comedy albums as if the Genie was performing them as a way to convince Williams to accept the role.
Eric Goldberg, the supervising animator for Genie, said that the character totally embodied Robin Williams. In fact, Williams took the script and made it his own, often going off-book: "We didn't expect him to come back with all the celebrity impressions the first time we recorded him, so we re-adapted. We incorporated Robin's riffs into the fabric of the film."
After Robin Williams' death in 2014, Goldberg tearfully reminisced about his relationship with Williams on the film, saying, "He was a real-life Genie, and, boy, did he grant our wishes."