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Black women have been rocking baggy, outlandish streetwear since long before Billie was even born.
BTW, I'm well aware that Billie's spoken out about why she wears oversized clothing — it's to prevent her from being objectified and hypersexualized — and how she relates to Rihanna's use of fashion as a "defense mechanism." Still, none of that takes away from the fact that these women's major contributions to and influence on global fashion and culture have been missing from conversations on Billie's style.
*But apparently, you CAN, hence my reasons for writing this list...
And if you dare say otherwise, well then I challenge you to an "Are You That Somebody?" dance-off.
If you didn't know, Rozonda "Chilli" Thomas of ATL, Tionne "T-boz" Watkins of Des Moines, and Lisa "Left Eye" Lopes of Philly still hold the title of best-selling American girl group, and second-best worldwide after the Spice Girls. They sold over 85 million records and their albums and chart-topping classics "Creep", "Waterfalls", "No Scrubs", and "Unpretty" can be found on every (accurate) "best of all time" list.
If you've never watched "The Rain (Supa Dupa Fly)" music video, then have you ever really seen a music video??? Back in 2017, Missy spoke with Elle about her inspo behind the larger-than-life look: "To me, the outfit was a way to mask my shyness behind all the chaos of the look. Although I am shy, I was never afraid to be a provocative woman. The outfit was a symbol of power. I loved the idea of feeling like a hip-hop Michelin woman. I knew I could have on a blow-up suit and still have people talking. It was bold and different. I've always seen myself as an innovator and a creative unlike any other."
These looks guaranteed clicks because her unpredictable sense of style ensures a breath of crisp, clean air.
Streetwear became global in the '90s and was largely driven by punk rock and hip hop culture. The latter genre was arguably more popular and pervasive than the former, as were the women in rap and the women R&B singers, both of whom typically collaborated with male hip hop artists.
However, through the late '90s up to now, we've experienced a resurgence in women in hip hop and R&B branding themselves as decidedly femme, sexual, and hypersexual. It's not that those characteristics aren't as stylish, substantial, or empowering as streetwear, because they certainly can be, but the reduced representation of powerful, successful black women rocking bold, oversized "men's" clothing seems to indicate something detrimental and mysogynistic at work.