The year was 2012. President Obama was nearing the end of his first term, neon jeans were all the rage, and Smash premiered on NBC. Society would never be the same.
I was a wee sixth grader who loved acting, singing, and dancing, like a nerd. So, naturally, I fell head-over-heels for Smash, a show about the making of a Marilyn Monroe musical.
Even writing that makes me face the fact that this show was wild from its conception.
Now, eight years later, I decided to revisit my old obsession and see where it stands.
Okay, we start with Karen Cartwright (our lead, played by Katharine McPhee) nailing Somewhere Over the Rainbow during an audition. She imagines she's on a fancy stage.
Ah, yep, then we get Ivy Lynn (our other lead, played by Megan Hilty) being either sexualized or body-shamed in her audition. Fun stuff.
We suddenly cut to a new scene, and OMG it's these two! Julia Houston and Tom Levitt, musical writing partners extraordinaire (played by Debra Messing and Christian Borle, respectively), have arrived!
I feel like I remember Tom's assistant, Ellis Boyd (Jaime Cepero), is secretly evil or something.
Oh, look, it's, "let's be weird about and stereotype our assistant" o'clock!
After noticing Ellis was reading a book about Marilyn Monroe, they discuss her for a hot sec and Ellis straight-up says, "I think she'd made a great musical" to these two...musical writers. The audacity. Also, they get into it way too casually.
Karen is hanging out with her boyfriend, Dev Sundaram (Raza Jaffrey), while she's at work. Dev works at the mayor's office, seems nice, supports Karen's dreams, and is English. That's the character. Also, I truly do not know what to say about this line.
Later that night, Julia discusses the possibility of a Marilyn Monroe musical with her family. She asks her sulky teenage son, Leo (Emory Cohen), what person comes to mind when she says "Marilyn" and he has an answer that genuinely baffles me.
Ivy is in the chorus of Julia and Tom's most recent show, so they call on her to sing a demo for their first Marilyn Monroe song. It's "Never Give All The Heart!" I'm 12 years old again!
Remember Karen and her boyfriend, Dev, who's English and works at the mayor's office? Well, they're having dinner with Karen's parents. The vibe is weird. Oh, and this guy (Dylan Baker) plays Karen's dad. I love it.
That is a wildly inappropriate thing to say! At the dinner table!
These parents are something else.
Suddenly, we have a problem. Guy Who Is Definitely Evil (Tom's assistant, Ellis) put "Never Give All The Heart" on YouLenz. Julia and Tom were far from ready to get people's opinions on it!
But that YouLenz video seemingly ignites all of Broadway! Producer Eileen Rand (Anjelica Huston) meets with Tom and Julia while she's in the middle of a messy divorce. All you really need to know about Eileen is that she goes after what she wants and Anjelica Huston is amazing.
Eileen is going to produce it and she wants them to meet with director Derek Wills (Jack Davenport), who Tom hates with a fiery passion. But Derek auditions anyway and directs a number for the show. They do "The National Pastime!" I will never get this space in my brain back.
I really love the mix of reality and fantasy.
Really soon, they're already auditioning people to play Marilyn Monroe! I do not understand how, but we digress. Ivy, all dressed up, runs to her audition, which she is doing even though she did the demo and Derek's audition. Ivy gets catcalled and all I have to say about that is LET WOMEN BE!!!
Hey! I see you, Broadway star Annaleigh Ashford! She's auditioning for Marilyn Monroe, too. It does not go well.
But Karen got a callback! And why do I vividly remember this apartment?
The director — who does not know Karen at all — texted her to come to his house at night???? THIS IS NOT OKAY.
NOT OKAY NOT OKAY NOT OKAY.
The next morning, Karen is totally chill and looks great while she sings and heads to her callback. This outfit is amazing.
But Ivy's on her way to her callback, too. I feel like this picture sums up Smash.
Ending with "Let Me Be Your Star" at the callback is great. What a number. What a time to be alive.
Wow!! Okay, so Smash is: a) super misogynistic, b) cheesy in an artsy way that makes it even more cheesy, and c) still suuuuuuch a classic in my heart.
Thanks for going on this journey with me! And remember, never give all the heart.
JK! Love is great. Don't take advice from Smash songs.