Browse links
US residents can opt out of "sales" of personal data.
The magic is truly in the details.
According to Ellen, Brandy immediately started twirling around like a princess when she put the dress on for the first time during a fitting.
According to the film's costume designer, Mary Vogt, each of the sisters outfits are designed in a particular way. Mary's is meant to look like an herbalist, Winnie's like a medieval magician, and Sarah's like Ophelia from Hamlet.
According to the film's costume designer, Penny Rose, the entire outfit is hand-stitched. They also made 12 of them at once, for everything from the stuntmen to ones to be used in photoshoots.
According to the film's costume designer, Anthony Powell, the outfit was designed to look like a couture nun (to represent Cruella changing her ways).
According to the film's costume designer, Sandy Powell, all of the colors Lady Tremaine wears throughout the film are cool, unfriendly colors.
According to Sandy, she wanted to create a gown that looked like a watercolor painting.
According to the film's costume designer, Mona May, they made the costume slightly bigger to give Prince Edward a cartoonish look in the real world.
According the film's costume designer, Raymond Hughes, the dress was designed based on the original illustrations from the book. They also did not want to copy any designs from The Wizard of Oz film.
According to the film's costume designer, Sandy Powell, she choose to dress her in blue because nannies traditionally wear blue, but she choose a shade that would look bright up close.
According to the film's costume designer, Michael Wilkinson, Jafar's outfit is meant to look intimidating to reflect his desire to be the most powerful person in the world.
According to Michael, the design meant to feel both ancient and timeless at the same time.
According to Michael, he added peacocks to Jasmine's iconic turquoise outfit because it seemed symbolic since peacocks are caged in the palace like her.
According to the film's costume designer, Colleen Atwood, the dress was designed so that Meryl could do a spider-esque crouches in it easily.
According to the film's costume designer, Anna B. Sheppard, she intentionally used the colors and design for Maleficent's outfit for the christening scene directly from the animated movie since that's what the audience expected.
According to the film's costume designer, Jacqueline Durran, she added a pocket (apron) to the design of the dress to be historically correct to what would've been worn in 18th century France.
According to Jacqueline, while they aimed to make it historically correct, they realized that it was important to keep the gown simple so that it could move easily.
According the film's costume designer, Tony Walton, while the color of the costumes were dark, he added lots of color to the lining of the outfits to symbolize Mary's secret life.