For the docking explosion, the miniature effects artists protected their film camera with a pelican case dubbed the 'Pelicam'. And they filmed the miniatures in one motion control pass rather than several as is the normal case. Find out more in this in-depth look at how the spaceships in the film were created.
http://www.fxguide.com/featured/real-and-raw-the-miniature-fx-behind-interstellar/
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