Hideo Kojima’s latest release is strange, celebrated by critics, and highlights how hard it is for any video game to achieve mainstream legitimacy without a vast budget.
Cartoon superheroes have made a big-screen comeback with Incredibles 2 and Spider-Man: Into the Spider-Verse, a film so vibrant it makes you wonder if all superheroes would be better off animated.
By tackling the messy realities of teen life, shows like Big Mouth and American Vandal offer a profound (and profane) empathy to the people who need it most.
大ヒットするスーパーヒーロー映画でありながら、複雑な政治的問題や倫理的問題を扱えることを明らかにした「ブラックパンサー」は、今後のスーパーヒーロー映画のハードルを上げる作品だ。
By making it clear that a massively successful superhero blockbuster can engage with complex political and ethical questions, Ryan Coogler’s film has raised the bar for everyone else in the cinematic universe.
大ヒットするスーパーヒーロー映画でありながら、複雑な政治的問題や倫理的問題を扱えることを明らかにした「ブラックパンサー」は、今後のスーパーヒーロー映画のハードルを上げる作品だ。
Hideo Kojima’s latest release is strange, celebrated by critics, and highlights how hard it is for any video game to achieve mainstream legitimacy without a vast budget.
Cartoon superheroes have made a big-screen comeback with Incredibles 2 and Spider-Man: Into the Spider-Verse, a film so vibrant it makes you wonder if all superheroes would be better off animated.
By tackling the messy realities of teen life, shows like Big Mouth and American Vandal offer a profound (and profane) empathy to the people who need it most.
By making it clear that a massively successful superhero blockbuster can engage with complex political and ethical questions, Ryan Coogler’s film has raised the bar for everyone else in the cinematic universe.