4. Meet Edith Macefield.
Her 108-year-old farmhouse in the Seattle neighborhood of Ballard was in the middle of an area undergoing lots of commercial development. Before moving to this little house in Washington state, Edith had an interesting life. Born in Oregon in 1921, Edith lied about her age in order to join the service and support the war effort in England. Even when others discovered that she wasn’t 18, Edith stayed overseas to care for orphans until her mother became ill and she returned to the States. Her only child, a son, died of meningitis at 13.
5. Edith’s goal was to stay in her own home as long as possible.
“My mother died here,” she said, “on this very couch. I came back to America from England to take care of her. She made me promise I would let her die at home and not in some facility, and I kept that promise. And this is where I want to die. Right in my own home. On this couch.”
8. Enter Barry Martin, construction chief of the project around Edith’s house.
After working close by and hearing of her story, the two struck up a friendship.
9. When Edith became increasingly ill with pancreatic cancer, it was Barry who took care of her.
For two years he drove her to appointments, nursed her, cleaned her, fed her, and listened to her stories about escaping from Nazis and being a spy for the Allies.
10. Edith died in 2008, at the age of 86, in her house just like she wanted. And she left her little house to Barry.
[Insert feels here.]
12. In addition to being the suspected inspiration for Up, Edith’s legacy has reached far and wide.
The first annual Macefield Music Festival was held in 2013, dedicated to preserving Edith’s fiercely independent spirit. A local tattoo artist created a design in honor of Edith and her house and the importance of “holding on to things that are important to you.”
In 2008, the house was sold for $310,000. The structure will be slightly expanded, but left largely intact and used for real estate training and as a community center.
14. As much as she loved her home, at the end of her life, Edith was realistic about the realities of change and the long-term future of the space.
“She said that it didn’t really matter,” Martin told NPR, “because 20 years from now, she said, this building that they’re building around me, they’re going to tear it down and build a new one.”
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