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    Deidre Hall Opened Up About 40 Years On "Days Of Our Lives" And Her Guilty Pleasures

    "That’ll be on my tombstone: Deidre Hall. Possession.”

    NBC / Jenny Chang / Buzzfeed

    BuzzFeed recently had the opportunity to sit down for a cozy dressing-room chat with legendary Days of Our Lives actor Deidre Hall to ask her questions submitted by you, the fans. Here's what she had to say.

    After 41 years on Days, what's your favorite thing about coming to work? —jasminew4e3c35987

    Deidre Hall: Oh, there’s so many things that I love about this job. You just caught me playing in Lauren [Koslow]’s room. I think the best part is coming back to be in a creative process with people that I find are so generous and so talented. And they up my game every day. Plus they’re fun, they’re funny, and we get to know each other outside the set a little bit. I flew to Vegas to see Eric Martsolf’s show when he was in Vegas. He is a spectacular entertainer. And ever since then I just call him “Hey, Vegas!”

    Josh Taylor and I rarely see each other and don’t speak because our paths don’t cross, but we’ve got a birthday ritual. If the sun goes down on my birthday and I haven’t heard from him he needs to be dead, you know? And vice-versa. If I haven’t gotten to him on his birthday — I don’t know how that began, but we do it. Just sweet little friendships. I grow more proud and adoring of certain people the longer I know them. I’m mad for Marci Miller. I mean her sense of creativity and professionalism and humor is unparalleled. I get drunk doing scenes with her. I just sit and watch her and go, “Oh, wait! It’s my turn to talk!” Her work is so pure and honest — she’s gonna be a legend.

    Marci Miller / Via Instagram: @_marcimiller_

    From left: Lauren Koslow, Deidre Hall, Marci Miller

    What is your favorite John and Marlena moment? —traceyw419425b98

    DH: I was going to say moments on location, because that is such an intense process. We’ve been to Mexico, we’ve been out to Malibu to the beach to do those scenes, and your focus is so intensified. "We’re burning daylight" — you know, you don’t hear that here. "We’re running down the clock," sure, but, get in, get out, get it good — so many things are swimming around. "Are the mics in place?", "Is there any light?", "Dee’s in a bathing suit; everybody be careful!" [laughs]. It’s a heightened way to work and I love being on location. I love being out in the air — [it’s] especially fun to have fans standing around getting to see how that process works.

    I’ve watched Days literally my whole life. Can you please share your skin care routine? You always look INCREDIBLE. —karenp16

    DH: My skin care... You know, the two things I am ferocious about and I will say to any young girl is "STAY OUT OF THE SUN." I was raised in Florida; I didn’t have that advantage. When I was growing up in swimming classes and diving classes, we didn’t know about sunscreen — it wasn’t around. So, my skin’s struggle is sun damage that was done so many years ago. So my advice is — and I rarely give advice, but here it is — stay out of the sun. Wear a hat, wear sunscreen — not just on your face and neck and chest, but on your hands.

    I get facials once a month and I use all kinds of products. People send me things that I love to try, and so I’m always switching it up.

    What storyline are you asked about the most? —patrickk45ff1ccfb

    Nbc / Getty Images

    DH: Oh. Phffft. That’s so obvious. I said that’ll be on my tombstone: "Deidre Hall. Possession."

    Jim Reilly wrote that and it was one of his earlier storylines and I was called upstairs before the Christmas break to be told, “Oh, all this crazy stuff that’s happening in Salem? It’s you.” “It’s me? How could it be me?” And then they explained how they worked that. He laid such a good plan of how to tell a story and how to have it unfold before your eyes and you go “Whoa! Eesh! I didn’t see that coming.” So it was thrilling, and he said "Do you have any questions?" and I said I just need to make sure that it’s done well, because I don’t want it to be hokey or silly or unbelievable. And they did. The levitation was real, by the way.

    How did they do that?

    DH: I signed a contract not to tell you. But it was a real stunt, it’s a magic stunt and they cleared the stage. The people that had to build the parts to it had to come in and they had to bring in a was an incredible investment to make that moment work. And it did. Not to mention it’s Christmas Eve and everybody’s in church and it’s cold and the snow... I mean, it was such a moment. And as the choir builds to a crescendo, BOOM, she’s off the bed and people went out of their minds.

    What was your real-life relationship with Joseph Mascolo like? —ginniekirbyg

    DH: You know, we didn’t have a personal relationship. I worked with him, obviously. We were not friends off camera. I knew his wife fairly well because she was our publicity director for a long time. Love Pat. He was one of a kind. He was ... old-school, larger than life off and on camera. And he was a force.

    Toby Canham / Getty Images

    Joseph and Pat Mascolo.

    If you were to do another book, and it could be about anything you wanted, what would that be? —Linn Larsen Kårstad, Facebook

    Bowman Hall Publishing

    DH: Oh my gosh. Inside me is a manners book. I’m pretty fierce about manners and grammar and appropriateness — [sarcastically] it’s going so well these days — that I just have a fantasy about writing almost a handbook: "In these situations, here’s how you handle it."

    What is your favorite Marlena wedding gown? —Kara O'Rourke, Facebook

    DH: I know it was slightly controversial, but the John wedding, the headpiece that was made. I mean, it was equal and opposite: I loved it, I didn’t love it. I LOVED it, I didn’t love it. I thought it was magnificent, I thought it was unusual. I mean she really can’t wear a veil at this point, so what do you do to satisfy the audience and have some glamour and some excitement and some surprise to it? And I think that gown and headpiece stepping down the aisle was just [gasps] WHOA! Okay, there it is.

    Maureen Donaldson / Getty Images

    Do you have a guilty pleasure that you would be willing to share with your fans? Your favorite thing to do, eat, wear, or watch during your personal downtime? —Kara Kiste, Facebook

    DH: I’m a toffee lover — but then people know that about me. I must say that I am locked to the news recently, and I’m not especially a news junkie, but all that’s going on in the government has me riveted. The testimony ... it’s about manners. Are you being appropriate in government? Are you all, that we have sent into these positions to represent us and to keep the world safe, are you doing that? Are you behaving properly? Because it’s looking kinda dicey right now.

    Do you still have your Electra Woman costume? —Meli Alexander, Facebook

    Abc Photo Archives / Getty Images

    DH: I never had that and I will openly grouse and complain about that. There were three that were made, that were created, and when we wrapped the show after you know, those 10 minutes, I said “I’d like one of the costumes” and it didn’t happen. Sid and Marty Croft: Really? 'Cause you need three for...something else?

    Funniest moment on set or behind the scenes? We all know that Wayne Northrop was quite the jokester during his run on Days. Who has taken over that role now? —Kara O'Rourke, Facebook

    Ali Velez/BuzzFeed

    DH: Nobody could fill Wayne’s shoes. He was a consummate, inexhaustible practical joker. I don’t know that we have one [now]. Oh, it’s so sad. What I can say about this group as a whole is they are so kindhearted and generous, and there’s no place you couldn’t turn and say ,“I’m out of money, my car won’t start, I need some help.” I know shows often talk about “Oh, we’re such a big, happy family,” but this show hasn’t been on the air for as long as it has — and it’s a darn long time — without everybody pulling in the same direction. And that starts from the head: It starts from Greg [Meng, co-executive producer] and Ken [Corday, executive producer] and the producers and the directors and everybody pulling as hard as they can in the same direction. [It] keeps this show on the air. It’s an honor to be in harness with those people who set the bar so high and live up to it every day. It’s just stunning to me.

    What is your favorite memory of working with the cast of Our House in particular, Shannen Doherty, Chad Allen, and Wilford Brimley? —MJ Cormier, Facebook

    Nbc / Getty Images

    DH: Wilford is such an anomaly, and I always have to say he’s not who you think he is. He’s not the Quaker Oats guy, and he’s not Grandpa. He is a cowboy, a literal cowboy. He’s got a ranch, he rides, he ropes; in fact, outside of his trailer when we were at Lorimar, there was a set of horns set up and he was always out there practicing.

    He had not done television and I don’t think it was his favorite thing — it’s not like filmmaking as we all know. And at one point, because he’s hearty, we had come onstage and it was so cold, it was so cold, and we had to be in the kitchen playing a summertime scene. And we all came in and the kids were in robes and sweats and shivering. And Wilford looked up and said, “What’s the matter with you all?” “We’re cold!” said the kids, “We’re cold!” And he said, “Well, why don’t you go back to your trailer until we get it warmed up?” I was not a part of this conversation, although I was privy to it, but these were three kids that had been on plenty of stages and went “Ooh. What? I don’t even know if...huh?” He said, “Go on, get back to your room. I’ll tell you when to come out.” And production was stopped until they brought in huge gas heaters, which meant the fire department had to be there onstage the whole time, and until he brought those kids out and it was warm enough for them, production stopped. A hero. You know, he knew he was powerful, he knew he was influential and in that moment, you know...don’t mess with my kids. And that was a Wilford moment.

    What’s it like playing the same character for over 40 years, when writers come and go, and you're in a position where you know the character better than the people writing her? —BuzzFeed

    NBC / Getty Images

    DH: The thing about characters is that we like them when they surprise us. And so, to my way of thinking, we get a new writer who says, “Oh, I think I’ll take her down this road” — hence Jim Reilly and the possession! Oh my gosh, and it was one of the most notable things that’s happened on the show.

    I love firsts because we’re always testing the audience. We did the first gay wedding, we did the first crib death — I mean we’ve done a number of firsts on this show. And I think it’s our privilege and our responsibility to educate as well as entertain.

    When we did the crib death, oh my gosh...the mail that I got was breathtaking. From people that had lived that moment, and who said [gasping], “I walked in, my baby wasn’t moving, and while I was sitting watching television, and you walked into the baby’s room and your baby wasn’t...I lost it.” Because there it was: You’re my friend, you’re somebody I trust with my emotions. And it was a great controversy at the time because our producers weren’t sure if we should warn the audience... You know, "Coming up are scenes that are going to be difficult.” and the final decision was [choking up] women walk into that room with no notice. She’s gotta do it, too. So it really took people by surprise and women wrote en masse saying, “I called my husband and said come home right now. Come watch this with me, see how she gets through it, see what they do.”

    And I think we teach people, you know, the tolerance of a gay marriage. A lot of people said, “Well, I didn’t know about Will being gay, and then Marlena was fine with it so I thought maybe I’m unenlightened.” It’s a lovely responsibility to be able to teach people, show people another way to deal with things.