HBO's Chernobyl lets its viewers partake in the disaster without feeling like this kind of collective failure could ever happen here or now.
Always Be My Maybe and Long Shot let their ambitious women have it all — because the men in their lives are willing to hold their purses. Mild spoilers!
Olivia Wilde's girl-centric Gen Z comedy is gloriously frank when it comes to sexuality and substances, but it’s less interested in its own class tensions.
America’s most memeable actor is back in John Wick: Chapter 3, a movie that's in on the joke of our obsession with Keanu. He might be too.
Ryan Reynolds voices the world’s cutest CGI creature in the new Pokémon movie, but not even Pikachu can fix your real life.
Faith-based hits like God's Not Dead and I Can Only Imagine aren't the surprise they used to be. But how will an industry fueled by a sense of neglect handle mainstream acceptance?
We don't need to be on board with the extreme actions of characters in First Reformed and The Overstory to feel some empathy for the desperation that drives them.
In Jordan Peele’s new movie and the latest Stephen King adaptation, the real bump in the night might be decades of suppressed trauma. Spoilers ahead!
The Theranos scandal is juicy, damning, and rife with potential readings — in other words, ideal fuel for our 24/7 take economy.
French acting legend Isabelle Huppert is the rare fave who seems like she really could run you over with a car if you asked nicely enough.
Must the reward for a successful TV show always be for it to keep going until it's not as good as it used to be?
Netflix's delightful time-looping series is one of a few recent titles that take inspiration from gameplay. Spoilers for Russian Doll and Serenity.
As this turbulent award season comes to an end, Hollywood appears to be closing ranks around two controversial movies (and their creators) that don't really deserve to be defended.
Netflix's Tidying Up With Marie Kondo promises that you can organize your way to "your ideal life." But are messes really a cause of our problems, rather than a symptom?
I get the desire to take comfort in cheerful stories of women’s triumph, from Ocean's 8 to On the Basis of Sex. But in 2018, I haven’t found them very comforting.
This year was bad, but at least the movies were good. Here are my favorites.
The Favourite and The Death of Stalin are dark historical comedies that work as funhouse mirrors, reflecting back warped shapes that look a little more recognizable than we'd like.
My half-joking hobby isn't all that funny anymore, but it’s not like I’m going to look away.
In Mid90s, Minding the Gap, and Skate Kitchen, skateboarding doesn't just look good onscreen — it’s a fascinating way to deal with race, gender, and what it means to belong.
First Man doesn’t romanticize Neil Armstrong, or NASA’s hard-won moon landing. Instead, it tries to show great achievements without needing to deify those responsible for them.