The Anti-Instagram Project

Because good pictures are also made for sharing…

First of all, we have nothing against Instagram. Actually, we think it is a pretty awesome app. We use it, whether to make our good pics nicer or to turn our terrible photos into something cool. But, in today’s digital hurry, sometimes we forget the basics of photography and what make it great.

Since the beginning, photography is all about light manipulation, whether by controlling the hour you go out to make a shot, the aperture, the shutter, the zoom in or out, the film development, the chemicals, the contrast, the tones, the silver nitrates, pixels, the lens filters, the white balance, even the hand you put in front of a lens because of some flare.

That said, we are not narrow minded to think the basics represents only film photo. We consider photography to be all about processes, including digital. Processes are unique, they can turn out worse or better then you predict, but it makes you work for it and wonder the results.

Nice images are nice not because they have some crazy cool filter, but instead because they say something to you. Walter Benjamin called it “aura”. You can call it whatever you want.

What we flag here is not mere photo decoration, which is fine by the way, but a process that could give life to your photo. Not only “likes”.

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Photo Sérgio Spagnuolo

Paracas Boat

Film: Ilford 400
Camera: Yashica Gmat 124
Developed with D-76

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Photo Sérgio Spagnuolo

Anhangabaú

Film: Tri-X
Camera: Leica R4
Developed with Rodinal

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Photo Rafael Cavalcante

Camera: Cardbox Pinhole
Exposure: 7 seconds

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Photo Sérgio Spagnuolo

Lament

Camera: Leica R4
Film: Kodak Tri-x
Developed with Rodinal

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Photo Yan Boecha

Lentagram: São Paulo in High Contrast

Camera: Leica M6
Film: SFX 200
Developed with D76 1:1
Red filter (25A)

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Photo Sérgio Spagnuolo

NYC Backwards

Camera: Leica Digilux 2
Exposure: 0.013 sec (1/80)
Aperture: f/8.0
Focal length: 20.5 mm

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Photo Luis Augusto Ferreira

Skateboarding in Brazil 70’s

Unknown process

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Photo Gábor Tóth

The Smith (Hungary)

Camera: EOS 550D/T2i Canon Kit Lens 18-55 IS
Shutter: from 1/40 to 1/80 and usually with f5.6
Strobist info: Ianiro Lilliput 800w continous light through diffuser umbrella and some natural light through window

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Photo Sérgio Spagnuolo

NYC

Camera: Leica DIGILUX 2
Exposure: 0.013 sec (1/80)
Aperture: f/5.6
Focal length: 7 mm

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Photo Luis Augusto Ferreira

Bosley

Camera: Canon EOS 7D
Exposure: 0.05 sec (1/20)
Aperture: f/2.5
Focal length: 50 mm

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Photo Sérgio Spagnuolo

Burned SP

Film: Kodak Tri-x
Camera: Leica R4
Developed with Rodinal

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