This is very interesting—it does, cosmetically, point to a narrative trend-namely, the restriction of integral female involvement in the story
And that's not cool, quite honestly—it's rough, I'd imagine, to be almost entirely without representation in a major form of entertainment; however, some narratives would ring quite false if there were two or more female characters talking to one another about something besides, let's say, the other characters in the film (who may or may not be men)
As others have pointed out, a film like The Shawshank Redemption takes place in an all-male setting, and its having been used as a testing pond for this particular strip of Litmus feels, y'know, forced
The other thing to consider, I think, is that the representation of male dominance in the workplace and in most seats of power is, unfortunately, quite realistic—that is not to say that art should not inform reality, but when representing that which is (instead of that which we would very much like it to be), storytellers have to tread a fine line—it would similarly ring false to change the religion, race, or even height and weight of characters surrounding archetypal heroes like Batman or Superman to fulfill the laws of the Bechdelian model, because these characters are established—changing Harvey Dent to Harriet Dent, or adding more female high-ranking Gotham Police officers in The Dark Knight would not only enrage fans, but mystify the rest with a sense of forced equality
I would love to watch a film with proactive female leads, who converse with one other about anything and everything but what some dude is on about—just give me a story in which that circumstance can arise, and make sense (which is absolutely possible, plausible), and I'm in
There is, in closing, an agenda herein represented which perhaps needs a few additional rules to cement it's legitimacy in focusing its looking glass
I propose a two-rule addendum to the existing 3:
Criterion #4: Any film which depicts the world of politics, law enforcement, military or sport (a gender-specific environment) is treated with partial exemption
Criterion #5: Any film which realizes pre-existing material, licensed from other media and thusly immutable, is partially or wholly exempt from this review
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Any thoughts