2.
Author of Red Moon and The Wilding, Benjamin Percy got real meta up in Twitter with a horror story scarier than the hit 1995 film The Net.
How did you go about creating your Twitter story?
Ben Percy: I wanted to write something that suited the medium, that wasn't simply a story delivered in bite-size nuggets. We're constantly threatened online with the possibility of infection. Every website is shoving cookies or bots or trojans onto our hard drives. Whenever my laptop starts to breathe heavily, chug slowly, I'm certain I've downloaded some virus that is chewing all of my files to pieces and offloading my credit card information. I thought I'd play off that fear and try to create something that maybe didn't send people screaming into the streets, but inspired some paranoia akin to the famous Orson Welles "War of the Worlds" broadcast.
What author (dead or alive) do you think would rock Twitter fiction?
BP: I suppose Dickens, since he was the king of serialized fiction.
3.
God graced Twitter with His presence by tweeting a new book of the Bible: THE BOOK OF BIEB: The Greatest Story Ever Tweeted. Indeed it was.
4.
Author of the upcoming debut novel (May 13) Cutting Teeth, Julia Fierro took us to Eden, a ramshackle beach house where a small group of thirtysomething couples and their young children gathered for a weekend filled with parental sexual tension, doomsdaying, and Dalai Lama motivational quotes.
How did you create your Twitter story?
Julia Fierro: I used characters from my novel, Cutting Teeth. What was most fun about that was that I knew them so well already. Creating bios, avatars, and personalities for my characters on Twitter — each of the four characters had their own handle — was so fun.
Then I used the most climactic storyline from my novel and had the characters tweeting as if they were all at the same beach house for four days. In the book, the characters know each other, but for the Twitter story I made them strangers who all just happened to be at the same beach house timeshare. That way they wouldn't see each other's tweets.
What was most challenging was delivering a lot of info through tweets in a way that felt authentic. It was a great exercise for me as a writer, and fun, and I received such an amazing response from readers.
I'm most satisfied with the way in which I was able to use Twitter and its natural storytelling structure, manipulating the aspects of Twitter that made that natural storytelling challenging, so, I hope, it felt like a real, live story, and in real time, revealed over four days.
What author (dead or alive) do you think would rock Twitter fiction?
JF: Hmmm. This is a good one. I think Vonnegut would rock Twitter fiction, along with Shirley Jackson! Maybe a duet?
5.
Using screenshots from more than 15 Bollywood movies, writer and digital director for the city of Chicago Ankur Thakkar tweeted a story about love, heartbreak, and unexplained musical interludes.
How did you go about creating your Twitter story?
Ankur Thakkar: I don't speak Hindi and so I've always needed subtitles to understand Bollywood films. Over the years, I noticed the sometimes hilarious juxtaposition between the image and the text, a disparity I exploited for my most popular Buzzfeed post. I mean, a subtitled image is already internet-optimized, right? I knew I could create fun lists, but telling a story is obviously much more difficult. I watched 15 movies over the past few weeks and began grabbing screenshots I enjoyed until a narrative formed.
How did you enjoy the festival?
AT: The festival itself has been amazing. I've admired real-time storytelling since Dan Sinker's incredible @mayoremanuel saga. Now that I'm finished, I'm looking forward to catching up and reading the other stories from this year.
What author (dead or alive) do you think would rock Twitter fiction?
AT: I would love to experience F. Scott Fitzgerald's tweets for some Jazz-Age millennial-like insights into all the trouble the youth are getting into.
6.
Writer/artist/bartender from an alternate universe Dugaldo Estrada tweeted 50 lovely illustrated micro-stories throughout the festival.
7.
Novelist, journalist, and essayist Chris Arnold used Vine, text message screenshots, videos, photos, poetry, weather maps, and more to take us inside an airport paralyzed by winter storm Vulcan.
How did you use Twitter to tell the story?
Chris Arnold: The festival website suggested a few broad categories of Twitter Ffction: parody accounts, crowdsourcing, images/Vine, narrative/poetry, and multiple characters/handles. I figured I'd try a story that could mix a little bit of everything.
How was the process of creating the story?
CA: I was just as interested in building a place as I was in constructing a plot because at times Twitter can feel like an actual place, and it seemed like a rigid plot would feel overdetermined. Many people I follow go on Twitter binges when they're at the airport, especially during long layovers, so an airport seemed like a natural fit.
I quickly realized that in addition to the time constraint — 48 hours with three featured hours — I'd need a length constraint to force me to make choices. In the spirit of Twitter, I decided to limit the story in my main feed to 140 tweets, although I sent many more to readers who interacted with my characters.
To begin, I sketched out the 10 characters/entities that would be central to the story. I spent a few days building their profiles, following accounts I thought they might follow, and reading their feeds to get a sense of their worlds and voices. I also set up searches for crowdsourced content: #PolarVortex, "stuck in airport," and so forth.
What author (dead or alive) do you think would rock Twitter fiction?
CA: I like to think that if the great Portuguese poet Fernando Pessoa could be here with us in the 21st century, he'd cultivate a lot of fictional Twitter accounts.
8.
Bill Roorbach, author of eight books of fiction and nonfiction, including Life Among Giants, explored a woman's romantic past through tweets and a Ouija board.
How did you go about creating your Twitter story?
Bill Roorbach: I made my story in advance and scheduled the tweets, then watched it unfold alarmed, as I like to revise. So in the heat of the tweet, there I was, calling up scheduled tweets and changing them, also the story. Tweets came in the wrong order too, and bunched unpredictably — it was like playing music back in the day — fun, that is, and weird.
What author (dead or alive) do you think would rock Twitter fiction?
BR: Fielding Dawson, Virginia Woolf, Steven Dixon. What a trio that would be!
9.
Eric Smith, author of The Geek's Guide to Dating and forthcoming young adult novel Inked, created an adorable, tweetable 8-bit story with help from illustrator Juan Carlos Solon.
How did you go about creating your Twitter story?
Eric Smith: Creating the story with Juan was easy. He's a fantastic illustrator, and after he worked on my book with Quirk last year, we became fast friends. We even hung out the weekend I proposed to my now fiancée, while we were in Toronto. BFFs. Totes.
We emailed back and forth a lot, I shared the story with him, and he nailed it on the first try. He's just that good. Also, we definitely think alike. If life were Pacific Rim, we'd pilot a giant robot together.
P.S.: I also just put the finished story in full up on my blog, with the animated GIFs I couldn't use on Twitter.
What author (dead or alive) do you think would rock Twitter fiction?
ES: Probably Michael Crichton. I was pretty crushed when he passed away a few years ago, and I feel like he would have LOVED this kind of thing.
10.
"Gas does not exist, except in champagne." Author of The Vacationers (out May 29), Laura Lamont's Life in Pictures, and Other People We Married, Emma Straub tweeted a hilarious second-person guide to vacationing with a man you've just started sleeping with (and might not actually like).
11.
Journalist Adam Popescu just had to go and sneak some nonfiction into the fest with a harrowing account of his 18,000-foot journey to Mt. Everest Base Camp.
How did you go about creating your Twitter story?
Adam Popescu: I wrote this story in a Moleskine journal on the side of a mountain in December when I traveled to Everest for the BBC. I came back and realized I had a book. I transcribed, added, and am editing the piece now.
This festival, and writing bite-sized pieces of narrative, which are hopefully compelling, has been an experiment in a new era of literature. I'm proud to have been part of it.
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Lara Prescott lives in Maryland and is currently at work on a novel. You can read her featured Twitter Fiction Festival story here.