1. the setting!
Think 1900 Korea, or Joseon as it was called then: traditional silk dresses and beautiful architecture, famous white porcelain pottery and plum blossom gardens – mixed with Western colonialism; railway tracks and steam trains, French dresses, coffee, guns and the Glory Hotel, incongruently modern amongst the traditional. Mr Sunshine is a romanticisation of setting; with the most beautiful stills of Korea’s landscapes; a feast for sore eyes.
2. bromance!
3. romance!
The romance in Mr Sunshine is so sweet! The flirting, the affection – how they can make something as simple as holding the cloth of a skirt so intimate. The little notes kept in apothecary drawers. Blood drawn for honour.(find me a guy like any one of Lady Aesin’s admirers please and thank you)
4. badass women!
Lady Aesin and Hina Kudo both reject societal norms: Lady Aesin, a noblewoman, is secretly a sniper for a resistant rebel group wanting to save Joseon. Hina Kudo is the owner of the Glory Hotel by her own merit, and the most powerful woman in Joseon privy to all manner of secrets. But besides our main characters – all women are presented as strong characters, from Eugene Choi’s mother, a slave who holds a noblewoman hostage to save her son, before drowning herself; Lady Aesin’s mother, a rebel who even on the brink of death refuses to betray her country, Aesin’s servants, who are presented as stronger even, sometimes, than their male counterparts. This is representation done right.
5. a balanced portrayal of patriotism!
This was so important to me: Mr Sunshine is not overtly nationalistic of Joseon, nor does it reject Joseon entirely. It presents a balanced account of Joseon’s history: how it is a very flawed and oppressive society and the hate such oppression has garnered; and also the love of the country, that it is, regardless of its flaws, the homeland of the Joseon people, and it would not be the same if taken over by foreign powers. This leaves viewers feeling so very conflicted – perhaps it deserves to go, but what of the loss of its identity?
6. social representation!
7. the title!
I thought that something must have been lost in translation for such a poor title to have been chosen – it has not. Everything (EVERYTHING) is deliberate and very very clever in this TV show. I think I screamed a little bit when I found out how and why exactly, Mr Sunshine was a relevant title and it is fabulous and a little bit (extremely) adorable.
8. grey heroes!
Antiheroes! We welcome you to the table, since you are so much harder to get right. All three heroes are morally grey in very different ways (as are the two heroines). For once, there is no defined ‘bad boy’ and ‘hero’ on a moral high ground: these are powerful, flawed characters who can be self serving or generous, who can use underhanded methods to do the right thing or sacrifice themselves for those they care about.
9. the bad characters are really, really bad.
They are evil, and dangerous – you can sense the kind of terrible destruction they’d inspire if gone unchecked. And the variety of complex antagonists, minor to major, enhances the plot so much. The worst characters – you’ll really, really, really want them dead.
10. the sad scenes are really, really sad.
Episode 1 in particular, really hits you in the feels. With a baseball bat. Made of steel. Even the children convey excellent depth of emotion (props to casting). I think I cried twice in the first episode.