The Best And Worst Songs On Taylor Swift's "Folklore"

"Peace" feels like an ending song to the album, and I wish it came after "hoax," which has more meat to it. The lyrics are strong, but it just doesn't feel like a full song. It feels like it never builds to anything, sort of like "It's Nice To Have a Friend" — but for some reason, it worked better in that song.

I love the song, but I don't think it entirely fits Taylor's voice, and the tempo feels a bit too fast. I would love to hear someone like Billie Eilish cover this song. The second verse is definitely the strongest part!

What I like about this song is it feels very much like old Taylor, sung by new Taylor. If Taylor was belting it out, the tempo was a bit faster, and there was some twangy guitar, this could 100% be on one of her first two albums. But it loses points because...I kind of want to hear that version instead.

I feel like people may have me for this one, but as much as I love Bon Iver, this song just doesn't really do it for me. Besides the chorus, it sounds sort of like "Danny's Song," and I find myself wishing I were listening to that song instead. The song doesn't really get good until the bridge/when they start singing together, which is almost three minutes into the song.

Lyrically, I feel like this is actually one of the weaker songs on the album, especially considering this is really the best Taylor has been lyrically. However, musically, this song is very strong and super representative of the whole album. Taylor's breathy voice dances flawlessly over the melodic piano, and the music video is gorgeous.

Taylor always chooses the first song for the album perfectly. She gently leads you into the tone of the new album while providing a transition from the album before. Also, points for being explicit; Taylor really went there in the first line of her new album.

Taylor REALLY took out the thesaurus on this one. At times it can get a little too much, but she manages to pull it off due to the beautiful melody. The bridge in particular shines, and the visuals of the song are very strong and representative of the album.

I love this one because it reminds me of Red, and feels like a similar story to "The Lucky One" and "Starlight." I love when Taylor tells stories from another time, and this is a great addition to that part of her catalogue, especially because it has a personal connection with her house. However, there are stronger songs on the album!

The intro to the song is definitely my favorite on the album. Taylor's always had a focus on colors and nostalgia, and this song blends both. The whole song is very sweet and pleasant, and I love how personal and specific the lyrics are, but again, there are better songs on the album.

I LOVE the visuals of this song. Like "cardigan," Taylor again makes a metaphor with an unremarkable object, but it works much better here. She adds so many layers to the metaphor, and while the song on the surface feels like a drunken, lovesick dance, it actually paints a picture of a lover desperately trying to hold onto a relationship.

Musically, this is not the strongest song on the album, but lyrically, this song is just so poignant and personal that it earns possibly a higher spot on this list than it deserves. This is one of the songs I cried the first time I listened to it. Some of Taylor's strongest songs are about regret and personal responsibility, and this is one of the best examples of that.

The melody matches the lyrics: no one likes a mad woman. A woman's emotions are only really accepted if they're pretty or pleasing, and Taylor expertly used a beautiful piano melody that has an underlying sense of urgency and a breathy voice filled with muted anger to even further emphasize her lyrics. It perfectly captures the sort of internalized anger women feel, and gives such a sense of validation.

I don't love the lyrics, but the melody is the strongest on the album, so it has to be in the top 5. I feel like this is the most Taylor belts on the album, even though she's obviously not — it just feels like she isn't holding back, and there's so much emotion behind it.

This is another song with a super strong intro. There's no waiting; the song is good right away. Lyrically, this is one of the best (if not the best) songs on the album. It's a testament to this album that this song is not #1; it's so hauntingly beautiful.

Every Taylor Swift album has to have at least one fun song, and honestly, this is the only really fun one to me, so that alone earns it a top five spot. It feels like old Taylor in the best way, without actually making me want to listen to old Taylor instead. It feels so young and playful, and it makes me smile every time I listen to it.

This is basically the opposite of "betty." It's one of Taylor's most mature and dark songs, and obviously the coronavirus connection makes it especially poignant right now. Using this album to tell others's stories was a really unique and genius move on Taylor's part, and I love how she uses it to make an impact here while still keeping it personal (with her grandfather). It's just so heartbreaking and beautiful.

The first time I listened to this song, I knew it'd be the best on the album. Musically, it's pretty much perfect, and lyrically, it's even better. Its meanings differ: Taylor says it's about "embittered tormentor showing up at the funeral of his fallen object of obsession," and many have theorized it's about Scooter Braun. However, I think it works really well to describe any feeling of betrayal, and the deep connection you'll always feel with the person who betrayed you. After all, you can't be betrayed by a stranger.