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That "Jane The Virgin" Death Could Serve As A New Beginning For The Show

The writers have left us a few hints. (SPOILERS for the Feb. 6 episode of Jane the Virgin within.)

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As she notes, the death was planned from the beginning — and the writers planted that infamous line about Michael loving Jane until his dying breath as a way of making themselves stick to the plan.

Honestly, I put that line into the script at the last minute to hold our feet to the fire, to make sure we went through with it. Because even back then, the writers could all see the magic of Jane and Michael together. Not to mention Rogelio and Michael!

In fact, they loved Brett Dier (who plays Michael) so much that they let the character live longer than they were planning — so that he and Jane could have at least a little bit of the life they'd dreamed of together.

"But this is a telenovela, as we so frequently remind you," Snyder Urman wrote. "And we are only at our midpoint."

Michael Desmond / Michael Desmond/The CW

And so, Michael Cordero had to die — from a medical complication of when he was shot at the end of the second season.

The writers dropped hints throughout the series in an effort to both tease his death and potentially soften the blow. The narrator often foreshadowed that, for Jane and Michael, a happy ending wasn't in the cards.


This allows the writers to move forward with the story while using the show's usual flashback elements to still flesh out Jane's grief of Michael's death.

You’ll recall, back in the pilot, Jane was on a path. Things were mapped out. And then she was accidentally artificially inseminated and everything changed. Well now, everything is changing again. How does our romance-loving hero move on, how does she get back the light and the hope…?

Well, it’s certainly not quick. And that’s why we’re now three years later in our story. We’ll be flashing back to those three years and filling in gaps, but mining emotions realistically is something we work hard on and we knew the immediate pain of that loss would overwhelm our storytelling. After talking to grief counselors, this felt like the right time to reenter Jane’s journey. She’ll always feel Michael’s absence (and trust me, we will too), but it opens up our storytelling in new and exciting ways, while allowing for the light and bright Jane world that we love to write.


They can send Rafael to prison without having to worry about taking his character out of the action — because they can skip right past the jail time and revisit him when he's out as a (potentially) changed man, one he's talked about wanting to be.

They can explore Jane's grief in flashbacks, without it obscuring absolutely everything else. Now they can show what life is like for her down the line — when she still misses Michael, but can imagine an existence without him. Some things require time.