In Honor Of The Emmys, We Decided To Rank The 40 Best Emmy Looks From The Last Decade

NJ: I get the feeling that this might be a divisive one, but I absolutely love the contrast of fabrics here. Also, the fit is impeccable. I shudder to think how sweaty I would get under that latex.

HM: I'm forcing Tash to rank this last because I dislike it. It looks like a Betsey Johnson–themed Project Runway challenge. I'm sorry. 

HM: The plunging neckline, the jewels, the little tulle spurts...so pretty. My one complaint is the belt. It feels like one embellishment too many.

NJ: Hannah, I am surprised that you included this. Yes, the belt is too much — but so is like half the dress.

HM: I really love dresses that mix multiple styles, so I love the way this dress mixes a soft, romantic floral gown with a tight, ribbed minidress. The best of both worlds!

NJ: Hannah, are you okay? This print reminds me of a scarf I had in 2008, and I don't mean that in a fun throwback way. 

HM: :(

HM: Normally I'm kind of "eh" on maroon, but this almost-plum shade really works for me. The folding on the top, the neckline, and the tiny peek of embellishment is just so ornate and gorgeous. My only complaint is her tan line, but we've all been there.

NJ: It's the clash between the purple and the black behind the embellishment that's a no from me — if it had other colors, I'd be a bigger fan. Also, sweet 2010s quiff there, Tina. 

HM: I mean, she obviously looks stunning (I love the mix of the satin and the chiffon materials), but what really makes this dress beautiful is the way it moves on the carpet.

NJ: Agreed on the note of movement. I'm less keen on the mix of materials and the SJP Collection Fawn pumps.

HM: Love the skirt (that little belt thing makes it), hate the top. It looks like something you could've bought at Charlotte Russe in 2012 but, like, in expensive glitter.

NJ: I hate that you pointed that out, because now I can't unsee it. I stand by this pick, though, especially the buckle on the skirt. 

NJ: Why not go to the Emmys dressed as Jesus Lannister? 

HM: I don't love this look, but I do love how bold it is.

HM: The cape back of this is so unique, and the color is gorgeous. But what I really love is the jeweled bra top — sounds tacky, but it's so elegant.

NJ: I also love the jeweled bodice, but something about that loop...I can't quite put my finger on it, but it makes me uncomfortable. 

HM: I like the Cruella de Vil vibes, but this one's a bit boring to me, tbh.

NJ: I think that the white train and the cutouts on the waist make it a worthy twist on a black red-carpet gown. 

NJ: I think this skirt is so fun, but the combination with the top — that has embellishment AND cutouts AND tassels — is a bit much for me. 

HM: [Marge Simpson voice] I just think it's neat.

NJ: I think this is a perfectly nice gown for a young woman growing out of the teen actor demographic, as Sarah was doing at the time. I just wish it fit a little better around her hips.

HM: I don't like this one. It's boring. Sorry, Tash (and Sarah).

HM: I would like this 90% more if it were a mermaid cut. As is, it's kind of eh, but the color is fun.

NJ: Hard disagree — the sleeves are what make this gown for me. Let's not forget that this was in 2012, a criminal year for fashion!

HM: She looks like an angel, or a goddess of spring. The skirt is flawless; I kind of wish the top were just a strapless continuation of the skirt.

NJ: I truly think that the white ribbons around the bodice and the straps are a crime. I can't take my eyes off of them. 

HM: I want to like this one, I do. I love the idea of it, just not the execution. Tash will be mad at me for saying this, but the top part looks like it's from Bebe.

NJ: You say that like it's a bad thing! C'mon, look at those thigh slits!

HM: I'm a sucker for some structured satin, but it's the belt with the skirt tucked in that really makes this look for me. It feels like an updated, fancier version of something Barbie or Regina George would wear.

NJ: See, I love everything about this look EXCEPT the belt. Belts on dresses, to me, are as capes are to Edna Mode. 

HM: Laverne always kills it, and this year was no exception. I love the intricate embroidery of the gold and the mermaid skirt.

NJ: My god, this gold color looks amazing on her. The dress is actually sheer, which I love. 

HM: This is so simple yet gorgeous. It fits SO well, and I love the cowl neck, invisible straps, and slightly sheer cutouts at the top.

NJ: HELLO, naked dress.

HM: Honestly, I am just obsessed with this color. But I also love the train, the sheer shirt, and the cutout. I do kind of wish there were either zero or two sleeves, but otherwise, this dress is so bold and fun to me.

NJ: "Would the cutout look too random if there were only one sleeve?" Is a question I'll be asking myself from now until eternity. 

HM: Normally, I hate tea-length dresses at the Emmys, but this one just works. I love the material, and the structure of the hips is really cool.

NJ: Sorry, Hannah, but this just doesn't feel like a red carpet dress. I actually prefer the floor-length runway version.

NJ: Now, this dress earned Sarah a spot on some worst-dressed lists — but like a tacky magpie, I love it. I think the color looks great on her, and the texture from all the different embellishments is magnificent. 

HM: I agree that this dress did NOT deserve to be on a worst-dressed list. It's not my favorite ever, but it reminds me of a magical rainforest, and I love the deep V of the neck.

HM: A literal angel. She also looks like a pastry, but in the best possible way.

NJ: Honestly? Meh. I feel meh about this dress. I know I shouldn't, but the heart wants what it wants, Han. 

HM: Gothic princess vibes. I love cinched dresses with a bunch of big textures going on and a big ball gown skirt.

NJ: You might hate me for saying this, Hannah, but the original look on the red carpet was lime green and had a thigh slit — and I prefer it!!! I'm just nitpicking, though; it's a cool look. 

HM: I love how vintage this feels. The cropped jacket with the vest that has a back flap, along with the wide-legged pants, just mixes together a bunch of different styles and eras, but the white monochrome keeps it feeling neat and classic.

NJ: Look, I love the tailcoat and the tailoring. It just feels like this outfit is at an 8 and I want it dialed up to 11 — put some color in there! Some drama!

HM: I know this is a simple look, but it's just a gorgeous gown. The sparkles on her skirt look like stars, and the train is just the right length.

NJ: This look is a bit too simple for me — it's like a step above prom. 

HM: I feel like what makes this one so great is its simplicity, especially coming from Lady Gaga. It's one step away from boring, but that structured hip really sets it above similar dresses.

NJ: You can't see in this picture, but the cut around the arms actually shows a lot of Gaga's waist/ribs. But agreed: The hip makes it. 

HM: This dress feels so vintage and 1920s. The beading is gorgeous, and I love the tiny shoulder pads of the sleeves.

NJ: Second the beading! Especially around the hem. 

HM: Love the cut of the top and the circular sequins. Alexa, play "Mirrorball" by Taylor Swift.

NJ: I believe this dress has chain mail on it — and it's certainly doing well in this *battle* of the outfits (yeah, sorry, that was awful).

HM: I thought it was funny.

HM: I like this one a lot, but I wish the sleeves were slightly smaller. I also don't love the fabric — it looks a little tarp-y. However, I love that it's bold and different, and the cut and color are amazing.

NJ: Now, THIS is some DRAMA. The sleeves are what make it, Han!

HM: I love a good mermaid cut, and this dress is just tailored to perfection. The cut of the top is also gorgeous. Simple but flawless execution.

NJ: Simply put, it's a classic.

HM: 2011 was kind of a bad year for dresses, IMO, but this one is the exception to the rule. The colors are gorgeous and bold, and I love the pattern. The lack of a big train or any sort of flare or cool neckline balances it out really well, too.

NJ: Agreed, it's a fun twist on a classic. 

HM: Thank you, Billy, for actually wearing something other than a black tux to the Emmys. The pinstripes are classic, but the glitter adds the pizzazz Billy is known for, and the hat is just so unique. 

NJ: So much to like here: The platform shoes! The scarf! The hat!!!

NJ: Covering the Emmys last year was a bit of a virtual slog. Zendaya's big, poofy skirt and bedazzled bra top was one of the highlights. 

HM: Zendaya is perfection, and I appreciate that even though she participated remotely, she still came dressed to the nines. This is also just such a fun, unique look.

HM: Julianne always dresses as if she's up for an award. I love a good sheer skirt, and the beading on the skirt is also flawless. However, it's the top that really brings it together for me. The off-the-shoulder sleeves, the cowl layering, the belt...*chef's kiss*.

NJ: The leotard-and-sheer combination really elevates this look for me. God, we really like sparkles, don't we?

HM: Yes. Yes, we do.

HM: Okay, Cinderella!!! The way this fabric falls is just gorgeous. I love the gold sheen to the pink, and the top layering is really unique.

NJ: She looks like a flower! A beautiful flower!

HM: She looks like a peacock, and I mean that as a compliment. I honestly wish the fringe were even longer or pouffier, because the colors and idea of this dress are so fun.

NJ: I love this dress. We only included one picture, but the colors look magical from every angle. Perhaps a hot take, but I do wish that the rainbow ombré effect continued up the bodice. 

NJ: This is another dress designed, in part, by Maisie's boyfriend Reuben Selby — who was also behind Maisie's Met Gala look this year. I know that "I would wear this" isn't a good fashion critique, but my god, I would wear the shit out of this dress. It's two dresses in one!

HM: I gotta agree with Tash — I'd wear the shit out of this. It's so creative while still feeling really classic.

HM: I am absolutely obsessed with the beading and color of this dress. It's like an opal.

NJ: I don't even have any words here; everything about this dress is stunning. 

HM: The way this dress reflected light as it moved was gorgeous. The colors blended so perfectly, and I love the colorblock structure of the top.

NJ: Pleated, metallic rainbow fabric shouldn't work — yet here we are!

HM: Zendaya kills it every time, but this is still one of her best looks. The matching shoes, the asymmetrical cut, the mesh corset...flawless.

NJ: This! Is! Art!

HM: Van Gogh's The Starry Night has NOTHING on this dress. NOTHING.

NJ: This dress looks as if it's photoshopped on. It's goddamn magical.