1. "Broadway Baby" from Follies
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The part where you'll melt: At 1:08, when he opens his mouth and starts serving Marilyn Monroe realness as he sings this classic lady ballad written by Sondheim.
2. Billy Joel's "She's Always A Woman"
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The part where you'll melt: At 2:42, when the band drops out and Aaron's voice gets all soft and tender, inviting you to be the person who is apparently always a woman to him.
3. "One Song Glory" from RENT
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The part where you'll melt: At 1:16, when he belts out the word "flies" and his voice soars over the crowd and into your heart.
4. Bob Dylan's "To Make You Feel My Love"
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The part where you'll melt: At 4:37, when he sings "love" and he slides up to the note from a lower register and makes you feels things that are also ~down there~
5. Kerrigan and Lowdermilk's "Run Away With Me"
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The part where you'll melt: At 3:12, after he's modulated several times, Aaron just nails the biggest note of the song and angel subsequently gets its wings.
6. Vernon Duke's "Autumn In New York"
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The part where you'll melt: At 1:54, when he releases an open and golden note in a mix, and follows it up with more, proving that he's got one of the most versatile voices on Broadway today.
7. Taylor Swift's "We Are Never Ever Getting Back Together"
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The part where you'll melt: Anywhere between 0:13 to 0:15, when you realize what Aaron's about transform into a graceful ballad with which he'll bless your eardrums — and in turn, your loins.
8. "I'm Alive" from Next to Normal
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The part where you'll melt: At 2:23, when Aaron belts the 'hind' on "behind" perfectly and then flips into his head voice a few seconds later like it's not a big deal but like UGH IT'S A BIG DEAL.
9. "Something's Coming" from West Side Story
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The part where you'll melt: At 2:24, at the last "tonight," when Aaron sends his voice and his spirit into celestial heights and makes you question if he is or is not actually mortal.
10. "As Long As You're Mine" from Wicked
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The part where you'll melt: At 1:51, when his lustrous voice strikes the note and makes the sound ring without pushing too hard into a belt like wow this is casual for you.
11. "Back to Before" from Ragtime
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The part where you'll melt: The whole time, to be honest — but especially at 2:36 when Aaron sings "I was your wife" and you remember that he gender-flipped the song, but owned it like it was written for him from the start.
12. Jason Robert Brown's "I Could Be In Love With Someone Like You"
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The part where you'll melt: At 0:24, when he sing-talks "I'll just stop now," because he's so adorably awkward and you're reminded that this man is literally everything you wanted since you were five years old and knew what a prince was.
13. "The Star-Spangled Banner"
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The part where you'll melt: At 1:04, when he aspirates and syncopates the word "banner," and you believe he could sing a Chinese take-out menu and turn it into an national anthem anywhere in the world.
14. "Goodbye" from Catch Me If You Can
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The part where you'll melt: At 3:45, when he just lasers the hell out of the last "goodbye" and makes it sound like it was nothing when really your pants have unzipped themselves and made you ready for the one and only Mr. Aaron Tveit.
Keeping on sangin', boo.
