For more than a decade, visual artist John Peña has sent letters to a place that doesn’t have a mailbox: the ocean.
Geological forces — a prominent influence in Peña’s work — gently and gradually erode mighty forms. And so he started writing to his new pen pal every day.
The contents of the letters are usually not more than a simple journal entry.
From an existential and ontological perspective, he said, life is ludicrous — and that’s why he created his own form of biomimicry.