The late-nineties pop star has made a stateside return with her self-titled album.

Robyn’s welcome return completely validates the hardened drool that’s lined the keyboards of American indie music bloggers for the past several years. Considered “the Madonna of Sweden,” Robyn has reinvented herself as a synth-heavy, electro pop superhero on her own label after rejecting the demands of industry execs. Needless to say, she’s quickly grown out of her “VH-1 phase.”

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