19 Behind-The-Scenes Facts About "Judas And The Black Messiah" That Are Just Deeply Fascinating
Dominique Fishback would write poems on set, in character, and one of them was actually used in the film.
In case you don't already know about it, Judas and the Black Messiah is an amazing new film from director Shaka King that tells the real-life story of FBI informant William O'Neal (LaKeith Stanfield), who infiltrated the Illinois Black Panther Party to keep tabs on their charismatic leader, Chairman Fred Hampton (Daniel Kaluuya).

The film also stars Dominique Fishback, Jesse Plemons, and Martin Sheen and is produced by prolific filmmakers Ryan Coogler and Charles D. King.
BuzzFeed recently attended a virtual summit for Judas and the Black Messiah and also had a chance to chat with director Shaka King about his revolutionary film. Here are some fascinating behind-the-scenes facts that we learned.
Note: Mild spoilers ahead!
1. Although it's a dramatic biographical film, Judas and the Black Messiah is actually the brain child of comedian twins the Lucas Brothers.

Keith and Kenny Lucas wanted to do something slightly unique for a biopic, so they decided to start researching William O'Neal to come at the story from that angle.
2. And they first pitched the idea to director Shaka King in 2016 while working on a comedy pilot for FX with him.

"We pitched him our idea, and he was like, this is brilliant," said the Lucases.
3. LaKeith Stanfield was actually against the idea of playing William O'Neal at first.

Stanfield said that his initial thoughts were, "I hate this guy." But after watching the Eyes on the Prize 2 documentary, Stanfield's mind changed as he was intrigued and felt "there was a sense of regret in between what he was talking about."
4. And he actually thought he was meeting with the filmmakers about the part of Fred Hampton.

"For some reason, I just assumed I'd be playing Fred. I was never told I would be playing Fred, I guess it was just wishful thinking in retrospect," said Stanfield.
5. All the archival footage you see sprinkled throughout the film was found by the assistant editors and post-production supervisor, Francis Power.

Power comes from the documentary world and, according to King, had vast connections to various archives. "He was just giving us gigabytes and gigabytes of footage," said King.
6. But the only footage the filmmakers had to reference for William O'Neal was the Eyes on the Prize 2 documentary that's briefly featured at the end of the film.

There was no other footage of O'Neal to use as a resource.
7. So, in order to dig deeper into O'Neal's history, King bought a very rare book called The Badge They Are Trying To Bury for about $800.

King explained that the book is written by a cop who says that William O'Neal framed him for murder.
8. Before filming, the actors actually went to Chicago and met with Chairman Fred Hampton Jr. (Hampton's son) and Mother Akua (formerly known as Deborah Johnson) for SEVEN HOURS.
At the meeting, Hampton Jr. said, "First of all, I want to know why every single one of you want to do this movie," explained Fishback.
9. And Mother Akua said she gave Dominique Fishback a "hard time" because there were certain traits she needed to see in her.

"She got my side look, she got it down pat," laughed Mother Akua.
10. Seeing Daniel Kaluuya and Dominique Fishback in the movie together made Mother Akua very nostalgic.

"When I saw Daniel and Dominique in that movie, I hadn't realized how much I miss the love and camaraderie. They had a real chemistry. And it made me realize that I miss that," said Akua.
11. Fishback would frequently write poems — in character as Deborah Johnson — on set, and one of them was actually used in the film.
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"She was just always writing, journaling, and writing poems AS Deborah Johnson," said Kaluuya. (You can see Fishback, as Johnson, recite part of the poem in her IG post above!)
12. The film's cowriter, Will Berson, had actually written a script for a Fred Hampton film prior to teaming up with the Lucas Brothers and King.
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The Lucas Brothers, King, and Berson basically converged their separate projects to make what would become the final film.
13. Some of the films that influenced King while making Judas and the Black Messiah include The Departed, The Friends of Eddie Coyle, Dog Day Afternoon, Prince of the City, and the documentary When We Were Kings.

Lots of Sidney Lumet!
14. The film actually has TWO composers, which is pretty rare.
King explained that he first hired musician and composer Craig Harris, but because Harris had never composed for a film before, they knew they needed to pair him with a film composer. Harris suggested Mark Isham, whose other film and TV score credits include 42, Little Fires Everywhere, Black Mirror, The Conjuring, and many, many more.
15. Plans for scoring the film got thrown wildly off course due to the pandemic.

The original plan for scoring the film was for Harris and Isham and the film's music editor Marvin Morris to get in a studio with a bunch of jazz musicians and improvise a bunch of music to use as comps, but they were unable to do that because of the pandemic.
16. So, King turned to the film's music supervisor Zach Cowie to get him comps to use in the film, which included songs by iconic jazz artists like Bill Evans and Duke Ellington.
17. Cowie, BTW, was introduced to King by Jesse Plemons (FBI agent Roy Mitchell).

Serendipitous, right?
18. King also brought in friend and musician Quelle Chris who, after seeing some of the footage, ended up providing the music and themes that appear in action sequences like the shootout with the cops.
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At one point, because music was coming from so many different sources, Isham was worried that things were getting "sloppy and messy," but in the end they were able to pull together a uniform sound.
19. And King described the final product as a "really weird, unique score that's exactly perfect."

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Judas and the Black Messiah is in theaters now and also available on HBO Max for the next 31 days.
