Martins said crewmembers had been telling her all day that playing a dead woman must be a welcome break from the sprint-and-fall routine they’d shot earlier.
“I’d much rather sprint 80 yards over and over,” she said.
NCIS executive producer Mark Horowitz, who casts the dead bodies, said whether he chooses a designated extra, a stuntperson, or an actor is dependent on whether the part requires the character “to appear alive.” If the character is dead for the whole episode, he’ll generally cast an extra. Whether the actor actually plays the corpse during shooting or whether they have to have a dummy made depends on “how severe their injuries are.”
Horowitz is very particular about who gets cast. “Nothing looks worse than a bad dead body,” he said. He explained that about half the people who audition to play a corpse can’t keep their eyes still, whether they’re open or closed. One time, a man playing a dead body left the set because he found his makeup far too disturbing.
“It’s a hard, cold, metal autopsy table,” Horowitz tells the people who audition for the part of a dead body. Because of the body drawers, he warned, “This is not the place for claustrophobic people.”
“I try and weed out the faint of heart.”
Brian Dietzen, who’s been performing fake autopsies as Jimmy Palmer since the end of NCIS’s first season, had his own take on the cadavers.
“Your whole body is freezing and your spot is on fire,” he said of the bodies who have to lie on a cold metal table with the examiners’ lights pointed at them, largely naked in the middle of a roomful of people. “It’s kind of like living an anxiety dream.”
Several walls in W.M. Creations are covered in plaster heads that were cast from people who actually came to the studio; when one of those people dies, that person’s head is moved from the production space to an office wall.
“We just transfer them to the other side,” makeup artist Koji Ohmura said. “So to speak.”
(President Abraham Lincoln is one of the celebrities who has not come to W.M. Creations — that plaster head was made from face casts done during his lifetime.)
When he still had silicone only over his ears, Gunter said, “Do you have coffee here?”
Gunter had skipped coffee that morning because he knew he was going to have to sit very still while his whole face was coated in layers of silicone and plaster. This was not his first dead body role — he’s played two or three other dead people — but it was his first time getting a cast of his face.
“Doin’ all right?” Yamamoto asked Gunter several times.
“Mhmm,” he would mumble to her through the silicone.
When Ohmura carved out a small mouth opening, he told Gunter he could breathe through his mouth now if he wanted to.
Ohmura noted that some makeup artists put straws in the nostrils to make sure they stay open. But “when we are working, we may hit it,” he said, and they “try not to make bloody, real effects.”
Gunter said he felt very relaxed throughout (“Pain is mind over matter”), but other people can find it rattling.
“If I see them moving a lot, then I talk to them more,” Yamamoto said. Ohmura noted he will sometimes hold people’s hands. They’ve both had casts of their heads made, so they know what it’s like to trust your respiration to someone else.
There’s a seam in Keaton’s plaster head because the cast was made in two parts, so his face wouldn’t be entirely coated at one time.
His hair was a mix of those two samples, they decided.
McCallum, who’s been to the morgue several times for research, said the W.M. bodies feel like real dead bodies — the only noticeably unrealistic part is the lack of “omentum,” a filmy membrane in the abdomen.
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