1. Harry Potter and the Half-Blood Prince has a strikingly different look and mood from the rest of the series. Warner Bros. 2. That is, in part, because it's the only Potter film that cinematographer Bruno Delbonnel worked on. Warner Bros. 3. The images tell a lot of the story without any need for dialogue, in part because of Delbonnel's work. Warner Bros. 4. Delbonnel also worked on Amélie and Inside Llewyn Davis, and you can see both his ability to be dreary as well as his ability to make a movie seem whimsical and magical working together in HBP. Warner Bros. 5. This quirky shot in the Burrow is strangely cozy, setting the mood for the space. Warner Bros. 6. And the shot of the Hogwarts Express heading to school... Warner Bros. 7. ...is considerably more cheery than the shot of it heading back to King's Cross in the middle of the year. Warner Bros. 8. Shots within the school from earlier in the year are brightly lit and show a lot of life and bustle. Warner Bros. 9. Including this glimpse into the Great Hall. Warner Bros. 10. However, as the year goes on... Warner Bros. 11. ...characters are increasingly more isolated. Warner Bros. 12. The lighting of each scene seems to get darker and contain less color as we get closer to the end. Warner Bros. 13. Even the Quidditch pitch, once Harry's place of joy, looks foreboding. Warner Bros. 14. Symmetry is a big motif in the film. Warner Bros. 15. Although there are often small details that disrupt that symmetry, creating a slight sense of unease about what's to come. Warner Bros. 16. Color often reflects the action or emotion of a scene, such as Harry's burning hatred for Bellatrix. Warner Bros. 17. Or Malfoy's increasing despair. Warner Bros. 18. In an interview with the Academy of Motion Picture Arts and Sciences, Delbonnel spoke about the challenges of using the same setting in a story with an entirely different mood. Warner Bros. 19. "Some of the sets are there since the very first Potter," Delbonnel said when asked about the challenges he faced. "How could I light them in a different way?" Warner Bros. 20. Delbonnel also mentioned that he considered Hogwarts itself to be sort of a "dark character" in the story. Warner Bros. 21. Indeed, the halls seem to engulf characters in times of higher stress. Warner Bros. 22. And a good amount of screen time is dedicated to showing its protection. Warner Bros. 23. Delbonnel also found ways to creatively frame characters that simultaneously gave a sense of intimacy along with a sense of scale. Warner Bros. 24. Here, Harry and Dumbledore's task seems insurmountable. Warner Bros. 25. And Harry seems even more helpless in this long shot of his duel against Snape. Warner Bros. 26. Delbonnel noted that HBP is "less about the big fights than the relationships between characters." Warner Bros. 27. Which might be why this closer shot was chosen for Dumbledore's death. Warner Bros. 28. Or why the camera finds details of each character to focus on, even in moments of action. Warner Bros. 29. The bare Great Hall, again an instance of Hogwarts acting as a character of sorts, speaks for itself. Warner Bros. 30. It's no surprise that Delbonnel was nominated for an Academy Award for this incredibly beautiful film. Warner Bros.