9 Reasons Why Adults Should Never Watch "The NeverEnding Story"
Remember that movie you absolutely loved as a kid? DON'T WATCH IT AGAIN.
And that is where I should have left it. Unfortunately, I did re-watch this movie as an adult, and it was a heartbreaking, illusion-shattering experience. Some movies are best left in childhood, only to be revisited in the flattering haze of memory. The NeverEnding Story is definitely one of those movies. As a kid, we are willing to forgive all manner of cinematic sins, if we notice they exist at all. Alas, as adults, that is just much harder to do. Here are all the reasons why grown-ups should never, ever try to watch this movie again:
1. It is so slow. So incredibly slow.
The movie is only 90 minutes long, and yet it really does feel like it lives up to its title. As a kid, I guess I was taken in by the fantastical surroundings, and didn't mind watching Bastian (Barret Oliver) and Atreyu (Noah Hathaway) stare into the middle distance or travel across large vistas for what seemed like an eternity. But as a grumpy grown-up, it is distressing to realize I don't have the patience for it now — the characters just aren't interesting enough on screen to hold my attention by themselves.
2. Many characters' voices do not match their lips, and it is really distracting.
Once Bastian cracks open the eponymous book, we're greeted with three characters en route to meet with the Empress about the encroaching threat of The Nothing: Rockbiter (i.e., the giant rock man), Night Hob (i.e., the squirrelly imp who flies on a giant bat), and Teeny Weeny (i.e., the well-dressed Indian gentleman who rides a racing snail). I can almost forgive the fact that Rockbiter's mouth barely matches his words — it was 1984 puppet technology. But both characters played by actual humans also suffer from terrible over-dub jobs. Teeny Weeny's voice sounds like a twentysomething American who normally does bad English re-dubs of anime movies. As an adult, it takes me right out of the movie. So upsetting!
3. Atreyu screams most of his lines.
STOP YELLING SO MUCH, ATREYU! WE CAN HEAR YOU JUST FINE, AND EMOTIONALLY IMPACTFUL SCENES DON'T ALWAYS NEED TO BE CONVEYED BY SHOUTING THEM AT THE SAME VOLUME ALWAYS!
See? Isn't this so much better? And doesn't this rant make me seem like the oldest old man ever?
4. Falkor the Luckdragon is shockingly creepy.
5. It is unrelentingly depressing.
It is clear from the very first scene in the movie that this is all just an enormous metaphor for Bastian's grief over the death of his mother, after Bastian's father (Major Dad himself, Gerald McRaney) dishes out this ice-cold comfort to his son: "Bastian, we each have responsibilities, and we can't let Mom's death be an excuse for not getting the old job done, right?"
But good gravy, this movie has such a fetish for misery. There are the Deadly Swamps of Sadness, where Atreyu's horse Artax just gives up and sinks to the bottom. There's the ancient turtle Morla, so old it doesn't care that it doesn't care — about anything. There's the scene where Rockbiter, bereft he couldn't save his friends from The Nothing, tells Atreyu, "The Nothing will be here any minute. I will just sit here and let it take me away too." And there's The Nothing itself, as potent a metaphor for clinical depression as you're likely to find in a children's movie.
6. Speaking of The Nothing, it actually looks like a bunch of dark, swirling clouds — which, technically, is something.
Only adults think in technicalities. Adults are the worst.
7. The final confrontation between Atreyu and G'mork is super lame.
Throughout the movie, Atreyu is unknowingly pursued by an evil wolf with glowing eyes called G'mork, because my childhood nightmares were apparently not terrifying enough. Of course, had I possessed a more sophisticated understanding of storytelling and the dangers of third-act exposition, I may have been able to laugh off the G'mork after it finally confronts Atreyu — with a massive exposition dump.
On Fantasia: "It's the world of human fantasy. Every part, every creature of it, is a piece of the dreams and hopes of mankind. Therefore, it has no boundaries."
On The Nothing: "It's the emptiness that's left. It's like a despair, destroying this world. And I have been trying to help it."
On why he's helping The Nothing: "Because people who have no hope are easy to control. And whoever has the control has the power!"
This last statement really makes no sense whatsoever — if Fantasia has no boundaries, then how can someone control humanity from it? But no matter, because Atreyu reveals himself to G'mork, grabbing a stone dagger, and G'mork manages to leap right on top of it, impaling himself and dying more or less instantly.
Wah wah wah.