On the lack of black women in the cast:
Something I wanted to avoid was tokenism in casting. If I had one of the four girls, if, for example, she was African-American, I feel like — not that the experience of an African-American girl and a white girl are drastically different, but there has to be specificity to that experience [that] I wasn’t able to speak to. I really wrote the show from a gut-level place, and each character was a piece of me or based on someone close to me. And only later did I realize that it was four white girls.
On what it’s like to live halftime with her parents:
I feel like I’m constantly asking them to please stay out of my work life, but also to please bring me soup. It’s this weird moment where you just don’t have a sense of what age-appropriate behavior is because there is no age-appropriate behavior.
On her “favorite” movie genre, romantic comedies:
[T]here is a certain kind of film that is not fun to me in a guilty-pleasure way, and there is a certain kind of chick-lit book that isn’t even fun to me in a guilty-pleasure way, because I don’t see any of myself in it. Because none of my actions — and maybe this is speaking to my age, because I’m 25 — but none of my actions have ever been [determined] by the search for a husband, or wondering if I was going to have a family someday, or wanting to live in a really great house, or thinking it would be really great to have a diamond.
And an explanation of her tattoos:
When I started getting tattoos, it was before I had any sexual relationship to anybody, so it was really about my relationship with myself. I kind of like that they come from that spot. They were never sensually motivated, they were personally motivated.
Lena Dunham at the Tribeca Film Festival in April.